YouTube leans hard into creators, AI, and TV dominance, while streamers and studios chase new formats, new audiences, and new money—from microdramas to vertical video to Senate hearings.
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Amos loved it for all the wrong reasons; Tom and Brian were more sympathetic.
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Lucasfilm leadership is reshuffled with Dave Filoni stepping into the president role as Kathleen Kennedy transitions to producing, while streamers stack renewals, trailers, and release-date clashes. Netflix continues its momentum with subscriber growth, major studio deals, and new interactive features as streaming hits record highs.
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There's definitely some Gene Roddenberry genes here, but we're all hoping it gets better from here.
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Stranger Things 5 didn’t just dominate Netflix charts, it sparked conspiracy theories and renewed debate about release strategies and ads. Meanwhile, renewals, spinoffs, redesigns, and streaming power plays filled a packed week.
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CES brings smarter TVs, art-frame screens, and AI baked directly into streaming interfaces, while viewership data, theatrical stunts, and corporate shakeups show how fractured — and oddly resilient — modern TV has become.
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YouTube makes two major power moves, ditching Billboard’s charts while locking down exclusive rights to the Oscars, as Hollywood and streaming continue their slow-motion reshuffle. Meanwhile, Netflix, Paramount, and Warner Bros. Discovery keep playing financial chess, and Peacock experiments with pushing ads even earlier into the viewing experience.
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The underwhelming end to what was generally considered a great show.
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